James Reich

WILHELM REICH VERSUS THE FLYING SAUCERS

James Reich’s new book Wilhelm Reich versus The Flying Saucers is available now! Signed copies are available here (US only). Published by punctum books’ Brainstorm imprint dedicated to “current developments in psychoanalysis, psychology, philosophy, and cognitive and neuroscience” and “the profound importance of expression and interpretation in forming the mind’s re-workings of its intersubjective, historical and planetary environments,” the book offers a sympathetic analysis of Reich’s last years. It is, of course, available directly from punctum books in paperback and ebook formats, from Amazon.com and Amazon.co.uk or from your local bookstore. The author is not related to his subject. More about the book:

The convenient myth of Wilhelm Reich is that he “lost his mind” in the early 1950s, if not before, and that the last seven years of his life and work — the orgone and radiation experiments, the cloudbuster, and flying saucer intrigues — present an embarrassment. Even the counterculture that embraced Reich, not least William S. Burroughs, Norman Mailer, and filmmaker Dušan Makavejev, tended to distort his theory. The psychosis attached to Reich by his detractors was the culmination of decades of scapegoating by psychoanalysts, Nazis, communists, and conservatives. But Reich’s environmental and Cold War preoccupations and his slow-burning fascination with UFO phenomena were not signs of a madness incipient since his break with Sigmund Freud. They anticipated and reflected much in the American psyche.

Science fiction failed to predict the advent of the digital relation. But the speculations of psy-fi thinkers once projected and expelled as psychotic can benefit today from the new normalcy of conspiracy theorizing on the Internet. In this setting of misrecognition and renewal, James Reich reads closely the ins and outs of “armoring” (or resistance) within the reception of Wilhelm Reich’s oeuvre. – Laurence A. Rickels, author of ‘A Critique of Fantasy’

Defining the presence of a “cinematic self” in the misunderstood analyst once considered an heir to Freud, Wilhelm Reich versus the Flying Saucers rejects orthodox portrayals of Reich’s final years as merely pathological. Combining original analysis and evidence from the Wilhelm Reich Archive, James Reich uncovers the fatal moments in the psychologist’s uncanny identification with the “spaceman,” and the myth of a scientist lost to his own grandiosity and paranoia. Taking seriously the influence of The Day the Earth Stood StillBad Day at Black Rock, and other pop cultural narratives on Reich, this “psychoanalytic detective story” concerns existential traps, conscious and unconscious collaborations and betrayals by disciples, and unidentified flying object-relations. Reich’s is an atomic-age passion narrative. Vitally, Reich’s story could be ours.